Author
Ytzhak
DJ President Ike: deals the Sonic Narratives of dj culture to silencing the blasters w/ beats on the lamb
Hey mami!!! Hey papi,
*Ceçi n'est pas une pipe!!! w/ Indelible_Beats Vol. 013 2 -- the selectah slides a trip of aurial art which recaptures the early dj culture of late 80's clubland and the uk attack on endless super mix vinyl discs to the u.s. mega system parties which rocked the houses from europe , montreal to the uk and back in the amerikkka TRU underground in the early 90s.
and audio narritive sound scape.....
DJ President Ike
http://www.myspace.com/djpresidentike
give it a phatty bump at the next mix up.
oh ya!!! and...
*Ceçi n'est pas une pipe!!! by Magritte
http://mh.cla.umn.edu/txtimbw1.html
* Michel Foucault. This is Not a Pipe. Transl. James Harkness. Berkeley: U of California P, 1973.
IN THIS BOOK, Foucault questions received notions of representation in art by engaging a number of artworks by Belgian surrealist painter Réné Magritte. Particularly by means of Magritte's notable work, Ceçi n'est pas une pipe (1926), which gives Foucault the title for his book, Foucault argues that within Modernity, people are falsely positioned within an established system of seeing that links reality with visual representation. Magritte's painting of a pipe, combined with the painted words "This is not a pipe," calls into question visual representation itself, inasmuch as what is painted on canvas is not actually a pipe, but a depiction of a pipe. The legend, which is wholly part of the artwork and not in its customary marginal frame, serves to point up the artifice of the conventional equivalency between "a pipe" and the image of a pipe.
Important to Foucault's analysis is the distinction between resemblance and similitude in visual representation. In saying that an image resembles reality, one assumes the ontological superiority of the latter. With similitude, however, the objective "referent" is gone; things and images are "more or less like one another without any of them being able to claim the privileged status of model for the rest" (10). As Harkness characterizes Foucault and Magritte in his introduction, both "engage in a critique of language: the former historico- epistemological, the latter visual. Each in his own way concurs with the linguist Ferdinand de Saussure in asserting the arbitrariness of the sign." (Brent Whitmore.)
peace
http://www.westegg.com/morgan/gifs/Pipe.gif
see also:
http://radio.weblogs.com/0144499/
Indelible Beats Vol. 13 (January 23, 2005)
Here's this show's playlist:
1. Method Man � Bring The Pain (Chemical Vocal)
2. Handsome Boy Modeling School � Holy Calamity (Bear Witness Part 2)
3. The Incredible Bongo Band � Apache
4. Pretty Tony � Will We Ever Learn (12� Instrumental Mix)
5. D-Train � You�re The One For Me (Francois Kevorkian Hubert Eaves III Remix)
6. Nine Inch Nails � Only
7. Bassment Jaxx � U Don�t Know Me (Jaxx Houz Club Mix)
8. Vikter Duplaix � Morena (Remix)
9. Irfane feat. Outlines � Just A Lil� Lovin (DJ Edit)
10. Royksopp � What Else Is There (Thin White Duke Mix)
11. Q Lazzarus � Goodbye Horses (Extended Version)
12. Michael Jackson � Billy Jean (Opolopo Remix)
13. Deisler � Heist Theme
14. Roots Manuva � Colossal Insight (Soft Pink Truth Remix)
15. LA Dream Team � Calling On The Dream Team
16. Ladytron � Hey Mami (Sharaz Mix)
17. DJ Shadow � Right Thing (Tokio Ghetto ECH Remix)
http://www.prezike.com/Podcasts/Indelible_Beats_Vol_013_2006_Jan_23.mp3
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