I reckon the show goes back to the old 1960s TV western world of "Gunsmoke" as one of the cast's curmungeon's takes to song and probably shouldn't. Another organ that isn't that magical and cheezy message music from that "candy man" rat pack member getting serious for the kids...way outta sight man.

After Government Shutdown Surrender It’s Clearer Than Ever Democrats Must Overhaul Their Strategy; Mamdani’s Uncompromising Progressive NYC Mayoral Victory Inspires Hope for U.S. Politics; Professor William I. Robinson Links the growing Global Economic Crisis to Rising Austerity & Repression.

Peter Fritzsche deciphers the puzzle of Nazism's ideological grip. The goal was to create a new national and racial self-consciousness among Germans. For Germany to live, others - especially Jews - had to die. Sasha Abramsky on Trump and Hitler in the 1930s. Bob Avakian on What's the relationship between fighting fascism and making revolution?

Historian Iain Boal tells the story of The Beginning of the Nuclear Age (ONE of TWO) The Italian physicist Enrico Fermi set off the first nuclear chain reaction in an underground tennis-court at the University of Chicago in December 1942. His experiment led directly to the building of the plutonium bomb that destroyed the city of Nagasaki. There are competing claims as to the beginning of the nuclear age. Was it the day of Trinity, was it Hiroshima, or was it Fermi with his willingness to risk a nuclear explosion in the middle of a crowded city. But more important than the date is the need to comprehend the fundamental change that the beginning of the nuclear age has brought about. Albert Einstein said that the unleashed power of the atom has changed everything save our modes of thinking; and "thus we drift toward unparalleled catastrophe." Iain Boal's story is intriguing because it places this quote into a new context. He begins by briefly setting back the clock - reminding us of the earliest militant resistance to the beginning of the industrial age. Iain Boal was educated at Oxford, Cambridge and London Universities. He has taught at Harvard and Stanford and is affiliated with the Geography Department at UC Berkeley. Recorded in March 2002 at a series of TUC Radio events where scientists and historians met with a small circle of friends. They gave previews of projects that had not yet appeared in any public space.

Golden oldies (60s, 70s, 80s, 90s)

The Man in the Gray Flannel Suit Show - A musical mid-life crisis -- a late-night search for meaning and happiness airs on WRIR LP Monday nights from 9 PM to 11 PM. Stream the show @ www.wrir.org

Rainbow celebrations set sail on a U.S. blue tsunami; remembering the San Francisco assassinations in November 1978 that shocked the world; Tasmania approves reparations to anti-queer sex law victims, U.S. Supremes let Trump’s X gender passport ban stand, a federal appeals court lets Texas continue to ban drag, British actor/dancer Jonathan Bailey becomes the first out gay to be named People Magazine’s “Sexiest Man Alive”, the U.S. Supreme Court rejects a challenge to marriage equality, and more LGBTQ news from around the world.

Joe's got the giggles and the silly's real good tonight. But Anthony talks about some serious subjects surrounding how states put medical programs together. Tune into the laughs and more when you visit Chiampa.org - we do a live show every other Monday .. usually ;)

“C. Pony Vigil: Reimagining the Future of Indigenous Media - Part II" “Today on Indigenous in the News, we are honored to welcome back C. Pony ‘Pony Man’ Vigil, a Navajo filmmaker, producer, and innovator who bridges Indigenous storytelling with the future of technology. From working on major films like The Avengers and Cowboys & Aliens to pioneering ‘Indigenous AI’ as a cultural and ethical framework for media, Pony brings a unique perspective on creativity, community, and the role of Indigenous voices in global storytelling.”ABOUT PONY MAN Film and TelevisionPony’s extensive film career spans roles as a lighting technician, director, and producer on major Hollywood productions, including Wild Hogs (2006), Terminator Salvation (2008), Cowboys and Aliens (2010), and The Avengers (2011). His technical expertise shines in roles like RiggingElectrician, Lamp Operator, and Best Boy Electric on projects such as Breaking Bad (2008), 3:10 to Yuma (2006), and In Plain Sight (2007). Early on, he pioneered virtual reality R&D for TheLawnmower Man (1991-1992) with Digital Media in Santa Cruz, CA, contributing to modern 4D infrastructure. As a producer, Pony led Discover Navajo at the 2002 Winter Olympics in Salt Lake City, managing multimedia cultural production and tribal relations. He produced and directed musicvideos and public service announcements for Indigenous communities in Hawaii (1999-2001)and served as Producer/Lighting Director for After After Party with Steven Quezada (2011-2012) and Buffalo Thunder Casino TV spots (2010-2011). From 2017 to 2020, Pony was ExecutiveProducer and Content Delivery Producer for NativeFlix and Indigenous Streaming Service, where he spearheaded Ntv Native Music Television, showcasing 300 Indigenous musicians and filmmakers in a groundbreaking platform for Native voices. MUSIC AND ZIA STAR RECORDS Under his stage name, Pony Man, Pony leads Zia Star Records, a platform amplifyingIndigenous artists. His latest single, Shake the Tail Feather (2025), is a vibrant anthem blending Navajo-inspired rhythms with themes of joy and unity, accompanied by a stunning music video set in a desert powwow arena. As Executive Producer, Pony champions artists like My Love RedHand and Eddie Moonville, driving a movement of cultural pride and creative innovation. CONTACT WEBSITE: ⁠⁠www.nativehalloffame.org⁠ ⁠⁠⁠EMAIL: ⁠⁠indigenousintel@icloud.com⁠ ⁠⁠⁠FOLLOW: ⁠⁠https://ntv.life⁠⁠ PRODUCTION: ⁠⁠https://thunderbirdgroup.co⁠⁠

Indigenous in Music with Larry K and The Melawmen Collective (Rock, Hip Hop) Welcome to Indigenous in Music with Larry K, today we’re joined by The Melawmen Collective, an Indigenous alternative fusion group from BC. Their sound blends rock and hip-hop into powerful medicine music that tells stories of healing, and culture. They’ve just released their first studio album “Fire In The Lake,” and there all in the house to tell us all about it. The Melawmen Collective are featured in our current issue of the SAY Magazine, read all about them at our place www.indigenousinmusicandarts.org/past-shows/melawmen-collective. Enjoy music fromThe Melawmen Collective, The Northstars, Ana Tijoux, Gary Small & the Coyote' Bros, Jamie Coon, Locos Por Juana, Melody McArthur, Jakota, Graeme Jonez, Eagle & Hawk, Systema Solar, Robin Cisek, Stolen Identity, Shylah Ray Sunshine, Angus Vincent, Midnight Shine, Tracy Lee Nelson, Crystal Shawanda, Levi Platero, Soul Prarie, Alan Syliboy & The Thundermakers, Morgan Toney, The Jerry Lights, Cody Coyote, KASP, Nortern Cree and much more. Visit us on our home page to learn about us and our programs at www.indigenousinmusicandarts.org, check into our Two Buffalo Studios and our SAY Magazine Library to find out all about our Artists and Entrepreneurs.

The Appalachian Sunday Morning is a two hour all Gospel Music Radio program with radio station & program host Danny Hensley. The program is recorded live each Sunday morning while being broadcast on 91.7 FM Community radio and streamed world wide on www.sbbradio.org. This program is uploaded to SoundCloud, RSS.com, radio4all, Podbean and iTunes to mention a few.

Environment stories from the grassroots perspective are the special interest of Shilpi Chhotray. In this interview, she speaks about relationships with environmental activists around the world, with emphasis on minorities and indigenous people. The program includes excerpts from some of her interviews and productions, as well as her advice on how we must tackle environment issues from the ground up. 

You never really know what you’re going to hear. Be adventurous & come browse the thrift shop

Everybody pushing biofuels to save climate. Guest Cian Delaney from European NGO hub T&E finds these green alternatives could be worse than the fossil fuels they replace. With extreme wildfires, heatwaves, and hurricanes author and researcher Susannah Fisher on her new book SINK OR SWIM: How the World Needs to Adapt to a Changing Climate.

This episode is “Refuse Fascism - Trump Must Go Now”, an event held at Advent Lutheran Church in Manhattan on October 16, 2025. It was an organizing meeting leading up to a rally to be held in Washington DC on November 5th, 2025, and for subsequent actions. Refuse Fascism is a group calling for the nonviolent unrelenting struggle of thousands, growing into millions in the capital, united around the single demand "Trump must go now.”

1. Poiver Malabar - dela 2. SK Anthem - Serial Killers (B-Real, Xzibit, Demrick) 3. Unsaid - Blac Sxpreme feat. Pro Dway 4. The Bush - Bush Babees feat. Mic Handz and Marz Money 5. Sacrifice - Shad feat. Homeboy Sandman 6. Beyond The Static - Future Infinite (Imperial and Stewart Garry) 7. Ready For War - Timbuktu & T.O. Huxtable feat. Wordburglar and More Or Les 8. City Rebellion - Kaydron with Declan and Kayden 9. Pour The Henny - Mobb Deep feat. Nas 10. Welcome to the City - Sixman feat. Sonny Ski 11. My Joker Ways - Classik & Karmawin 12. Life (instrumental) - BambuDeAsiatic 13. Life - BambuDeAsiatic 14. Make A Living - Edo. G & Parental 15. What's Your Purpose - J. Scott da illesT feat. Skyzoo 16. Prevail - J. Scienide & Giallo Point 17. Moment In Time - Korben Palace feat. John Robinson and J. Scott da illesT 18. Irreversible - Koralle & Yawuh 19. Broken Streetlight - Shark the SOB feat. Hi-Q 20. Wishing Well - Potatohead People & Slippery Elm 21. Carmine Went Down - K-Def

This week we have some songs about soldiers coming home, or just about home in general, from the likes of Dinah Washington, Bill Monroe, Soulstack, and the Silvertone Singers. We'll also hear Johnny Cash reminisce about a flood, Slim Gaillard's ode to the record shop and husband-and-wife team Texas Ruby and Curly Fox.

Before we begin today’s episode of This Week in Palestine, we must pause to mark a political moment that reverberates far beyond city limits. Zohran Mamdani has just been elected mayor of New York City—a victory that defies precedent, expectation, and the machinery of power itself. He didn’t just win an election. He dismantled a narrative. Mamdani defeated billionaires, lobbyists, and even the sitting president’s preferred candidate. He did so not by softening his stance, but by sharpening it. He refused to be silent on Palestine. He refused to visit Israel. He refused to play the game of appeasement. And for that, he was smeared, accused, and targeted. But the people of New York chose principle over propaganda. They chose clarity over compromise. His victory is more than symbolic. It signals a shift in American political discourse—a shift that centers justice, affordability, and international accountability. It tells us that being pro-Palestine is no longer political suicide. It is political courage. And that courage brings us to the heart of today’s episode. We turn now to a clip titled “Professor Exposes Secret Origins of the Israel Project,” featuring Dr. Yakov M. Rabkin—a historian whose work challenges the very foundation of Zionism. Rabkin, professor emeritus at the University of Montreal, argues that Zionism was not born in the Holy Land, but imported from Europe as a colonial ideology. He writes that Zionism is “a radical break from Jewish tradition,” rooted not in theology but in 19th-century European nationalism. He reveals how early Zionists formed alliances with antisemites—not out of shared values, but shared goals: to remove Jews from Europe. And he documents how traditional Jewish communities overwhelmingly rejected Zionism, seeing it as a betrayal of spiritual identity and ethical responsibility. Rabkin’s critique is not anti-Jewish. It is deeply Jewish. It is rooted in exile, humility, and the belief that justice cannot be built on dispossession. So as we reflect on Mamdani’s win—a mayor who centers Palestine in his politics—we also reflect on the deeper history that brought us here. A history of ideas imported from Europe. A history of resistance erased. A history that demands to be retold.