Can someone explain to me why a documentary movie turned Israel upside down and made Netanyahu scream? Is telling the truth really that dangerous, or is it simply something powerful people fear? So now, we open with a question that has echoed across continents, across newsrooms, across the hearts of people who still believe in the right to speak freely. Because what happened with the film NAZA is not just a controversy. It is a warning. A flare shot into the sky, revealing how fragile truth becomes when it threatens the foundations of a state built on narrative, control, and silence. A film, a piece of art, a testimony, a mirror, shook Israel so violently that its prime minister demanded the filmmakers be stripped of their citizenship. Think about that. Not fined. Not criticized. Not debated. Stripped of citizenship. Erased from the national body for daring to show what Palestinians have been trying to tell the world for generations. And so we ask again: Is truth really that dangerous? Because if a documentary can destabilize a government’s confidence, what does that say about the government? If a film can expose cracks in the official story, what does that say about the story? If two filmmakers, Yuval Abraham and Rachel Shore, can shake the political establishment simply by documenting reality, what does that say about the reality itself? This moment did not emerge from nowhere. It sits inside a global pattern, one we’ve been watching unfold for years. A pattern where governments claim to defend freedom of speech while punishing anyone who uses it. A pattern where artists, journalists, and ordinary citizens are chased across borders for speaking truths their leaders cannot tolerate. A pattern where the right to speak becomes a privilege granted only to those who repeat the approved script. We’ve seen people arrested in countries they don’t even live in, simply because they spoke openly somewhere else. We’ve seen activists forced to hide in China, Turkey, or pockets of Europe just to breathe without fear. We’ve seen governments collaborate across borders to silence voices that refuse to bow. And we’ve seen it here in America too. We’ve watched our own president lash out at reporters, mock journalists, and treat the press as an enemy rather than a pillar of democracy. We’ve watched truth become a battlefield, not a shared foundation. So when Carter Sherman of the Guardian’s Stateside podcast sat down with the filmmakers of NAZA, she didn’t just conduct an interview. She opened a door. She illuminated a moment that reveals the global stakes of free speech. She showed us what happens when artists refuse to be intimidated, when witnesses refuse to be silenced, when truth refuses to die quietly. Abraham and Shore did not create propaganda. They created testimony. They captured what Palestinians endure, not through slogans, not through speeches, but through lived reality. And for that, they were labeled a threat to national security. For me, and for many people like me, they are heroes. For many Israelis, they are traitors. For Palestinians, they are proof. Proof that the world is finally beginning to see what has been hidden behind walls, checkpoints, and official statements. This film did not shake Israel because it lied. It shook Israel because it told the truth. A truth that has been buried, denied, distorted, and weaponized for decades. A truth that refuses to stay quiet any longer. Today, we bring that truth into this space. We bring the courage of those filmmakers. We bring the clarity of Carter Sherman’s interview. We bring the voices that governments try to erase. And we ask you to listen, not passively, not casually, but with the full weight of your conscience. Because when a film can make a prime minister scream, it means the truth inside it is powerful. And when truth becomes powerful, it becomes unstoppable. And today, we begin that conversation. If you have thoughts, I want to hear them. Email me at TWIPpodcasts@gmail.com and tell me how you see it. This is This Week in Palestine.

Can someone explain to me why a documentary movie turned Israel upside down and made Netanyahu scream? Is telling the truth really that dangerous, or is it simply something powerful people fear? So now, we open with a question that has echoed across continents, across newsrooms, across the hearts of people who still believe in the right to speak freely. Because what happened with the film NAZA is not just a controversy. It is a warning. A flare shot into the sky, revealing how fragile truth becomes when it threatens the foundations of a state built on narrative, control, and silence. A film, a piece of art, a testimony, a mirror, shook Israel so violently that its prime minister demanded the filmmakers be stripped of their citizenship. Think about that. Not fined. Not criticized. Not debated. Stripped of citizenship. Erased from the national body for daring to show what Palestinians have been trying to tell the world for generations. And so we ask again: Is truth really that dangerous? Because if a documentary can destabilize a government’s confidence, what does that say about the government? If a film can expose cracks in the official story, what does that say about the story? If two filmmakers, Yuval Abraham and Rachel Shore, can shake the political establishment simply by documenting reality, what does that say about the reality itself? This moment did not emerge from nowhere. It sits inside a global pattern, one we’ve been watching unfold for years. A pattern where governments claim to defend freedom of speech while punishing anyone who uses it. A pattern where artists, journalists, and ordinary citizens are chased across borders for speaking truths their leaders cannot tolerate. A pattern where the right to speak becomes a privilege granted only to those who repeat the approved script. We’ve seen people arrested in countries they don’t even live in, simply because they spoke openly somewhere else. We’ve seen activists forced to hide in China, Turkey, or pockets of Europe just to breathe without fear. We’ve seen governments collaborate across borders to silence voices that refuse to bow. And we’ve seen it here in America too. We’ve watched our own president lash out at reporters, mock journalists, and treat the press as an enemy rather than a pillar of democracy. We’ve watched truth become a battlefield, not a shared foundation. So when Carter Sherman of the Guardian’s Stateside podcast sat down with the filmmakers of NAZA, she didn’t just conduct an interview. She opened a door. She illuminated a moment that reveals the global stakes of free speech. She showed us what happens when artists refuse to be intimidated, when witnesses refuse to be silenced, when truth refuses to die quietly. Abraham and Shore did not create propaganda. They created testimony. They captured what Palestinians endure, not through slogans, not through speeches, but through lived reality. And for that, they were labeled a threat to national security. For me, and for many people like me, they are heroes. For many Israelis, they are traitors. For Palestinians, they are proof. Proof that the world is finally beginning to see what has been hidden behind walls, checkpoints, and official statements. This film did not shake Israel because it lied. It shook Israel because it told the truth. A truth that has been buried, denied, distorted, and weaponized for decades. A truth that refuses to stay quiet any longer. Today, we bring that truth into this space. We bring the courage of those filmmakers. We bring the clarity of Carter Sherman’s interview. We bring the voices that governments try to erase. And we ask you to listen, not passively, not casually, but with the full weight of your conscience. Because when a film can make a prime minister scream, it means the truth inside it is powerful. And when truth becomes powerful, it becomes unstoppable. And today, we begin that conversation. If you have thoughts, I want to hear them. Email me at TWIPpodcasts@gmail.com and tell me how you see it. This is This Week in Palestine.

Voters in California’s 7th Congressional District have a unique race. It features two Democrats – incumbent 10-term establishment Representative Doris Matsui and progressive Sacramento City Councilmember Mai Vang. Not surprisingly, even though the race has two Democrats, the mudslinging is hot and heavy.

Just a quaint themed music mix for the seasons as heard on The Global Voice internet radio.

What will it take to turn Israel’s growing isolation into real accountability? Human rights lawyer and former UN official Craig Mokhiber joins hosts Nora Barrows-Friedman and Ali Abunimah to discuss the gap between diplomatic condemnation and action, as well as the “Board of Peace” plans for Gaza On the Resistance Report, the Electronic Intifada’s contributing editor Jon Elmer examines the latest accounting of US military losses of aircraft, equipment and personnel to Iranian operations against US airbases across the Middle East. In Lebanon, Israeli occupation forces have continued to accelerate their attacks and widespread destruction across the south. Electronic Intifada contributor Roqayah Chamseddine reports from Lebanon.

It’s the Sonic Café … Featuring an intelligent mix of headphone friendly music, comedy and pop culture … I’m your host Scott Clark. Hey, welcome to episode 36. This time we pull our eclectic mix directly from the briny blue pacific. Listen as we cover 45 years of nautically themed tunes from The Peddlers, Led Zepplin, Tom Waits the Split Enz and more... And later on listen as comedian Jim Gaffigan imagines the inner voices of whales in a bit pulled from his Mr. Universe release. All that and more as we splash tunes from the big blue coast all over your radio … right here at the Sonic Café.

Those of us who use the internet are subject to the words and wisdom, or lack thereof, provided by the people and or machines that upload ideas and content. The democratization of the internet, allowing anyone to post anything is, in the mind of Andrew Keen, our guest of this edition of Radio Curious, creating a “cut-and-paste” on-line culture which threatens copyright protection and intellectual property rights at the expense of those who create original work. Andrew Keen is the author of “The Cult Of The Amateur: How Today’s Internet is Killing Our Culture.” When I spoke with him from his home in Berkeley, in early June 2007 we began with his explanation of the democratization of the internet. The song, film and book recommended by Andrew Keen are the U2 song “Vertigo,” the movie “Vertigo,” by Alfred Hitchcock, and the book “Vertigo,” by W.G. Sebald.

A weekly 30 minute review of international news and opinion, recorded from a shortwave radio and the internet. With times, frequencies, and websites for listening at home. 3 files- Highest quality broadcast, regular broadcast, and slow-modem streaming. Germany, Japan, Cuba.

Celt In A Twist regales with nautical tales this hour! Orkney fiddler tells the fable of the sea witch, Mammy Scott, a Celtpunk historical tale of the Shacklten expedition to the South Pole from the Real McKenzies, while The Dreadnoughts hoist anchor on the saucy Rosibella. PLUS, brand new Shooglenifty, their 10th and best yet! It all unfolds before your ears under the steady hand of Patricia Fraser. Heave away!

The sounds of nature set the tone for next generation global rhythms. Floating in with the tide, fresh spins from BaBa ZuLa and Leenalchi, microtonal does a number on Balkan bounce from phenoms Angine de Poitrine, a new message from reggae vets Messenjah, retro​ rock marimba from Son Rompe Pera (Oct.10 @ The Hollywood) and more folk techno from Polky! On World Beat Canada Radio.

Much was revealed at the UN General Assembly: Lavrov condemned the attack on Venezuela and said Maduro must be freed; Delcy Rodríguez, interim leader of Venezuela thanked Trump for whatever and did not mention Maduro or Chavismo; Trump mused about annihilating Iran and only Avi Lewis (in Canada) condemned him. PM Carney speaking to EU Parliament sounded like a Germanophile and bragged that Canada is a member of JEF, the Joint Expeditionary Force for fast action emergencies in Europe. JEF is led by the UK, and the other few states are from the Baltics. Just like old times, in 1918 Canadians under the Brits went off to fight Bolsheviks (and came home depleted and bitter). Apparently Canada will be the Mutt in JEF. Also: A tribute to Calypso giant, Mighty Sparrow, with guest Ken Stower, the host of Global Rhythms, CIUT.

Nora Barrows-Friedman brings us a recap of Palestinian news for the week of October 1st, 2026.

Ramses returns to the show from his trip to Palestine and is interviewed by Q Ward. He discusses Palestinian activism, solidarity across different groups of marginalized peoples, and the daily struggle of Palestinians.

Mcgruff the Crime Dog not only takes a bit outta crime....he might take a bite outta cheeze, an EZ listening icon takes on disco, and a celebrity slip up by one of hollywood's meanest villains in the last 60 years....Believe it Or Not.

Jay San joins Radio Johnny as a new cohost and we discuss dissociative identity disorder and the 12 steps

n 2014, Michael Slate interviewed Ilan Pappe, Israeli historian, and author of many works, including The Ethnic Cleansing of Palestine. This has renewed relevance today, in the context of the ongoing Israeli/US genocide in Gaza. The interview was conducted during an earlier Israeli assault.

UK police release five men on bail after airbase security incident Update: Tuesday, 29 September 2026 7:44 AM https://www.presstv.co.uk/Detail/2026/09/29/777240/UK-police-release-five-men-bail-airbase-security-incident Armed police officers work on a road outside the perimeter of the RAF Fairford airbase, in Fairford, Gloucestershire, Britain, September 28, 2026. (Photo by Reuters) British police have released on bail five men arrested near a Royal Air Force base used by the United States, as Washington claimed that a foreign actor may have been involved in the suspected plot. The five men, all London-based Britons in their mid-20s, were arrested after reports of three suspicious white vans near RAF Fairford in Gloucestershire, southwest England, on Sunday. Counter Terrorism Policing said Monday that the men were released on bail under “stringent” conditions, stressing that the investigation remains ongoing. “This does not mean the investigation is over,” Assistant Commissioner Laurence Taylor, head of Counter Terrorism Policing, said, adding that authorities were examining “every possible angle,” including the possibility that the activity was carried out by proxies or individuals working knowingly or unknowingly on behalf of a foreign state. The men were arrested on suspicion of explosives offences and preparing to commit a terrorist act under UK counter-terrorism legislation. Their vehicles have undergone extensive examination with the assistance of military personnel and forensic experts.

Golden oldies (60s, 70s, 80s, 90s)