Two leaders in the movement to stop domestic violence share their experience and ideas on topics like why batterers often get custody of children, whether and how batterers can change, and how misogyny is like racism, encouraged by society and requiring self-awareness to work on. Both want to change the attitudes of the courts that tend to treat domestic violence as relatively trivial and are often harder on women than their batterers.

IF YOU AIR THE SHOW PLEASE SEND ME AN EMAIL TO LET ME KNOW! EVERGREEN. Contact: sean@armedia.ca The Mix Sessions is a journey through hypnotic rhythms and soulful deep house groove. Featuring slush, atmospheric textures. TRACKLIST 01. Rotty - Yeah I Love 02. Carl Waller - Trippin' (Extended Mix) 03. Folamour - When U Came Into My Life 04. Rotty - Honesty 05. Will Buck - Checkin' You Out 06. Despa - When Walking Down The Street 07. Moonee - Faith & Sorrow 08. Wallace - Papertrip 09. Kerri Chandler - The Breeze 10. Sean Roman - Cry No More

IF YOU AIR THE SHOW PLEASE SEND ME AN EMAIL TO LET ME KNOW! EVERGREEN. Contact: sean@armedia.ca Trip Hop Radio is a sonic escape into a world of dreamy beats and introspective melodies, featuring an eclectic blend of trip hop, chillout, and downtempo grooves. Updated weekly. TRACKLIST 01. The xx - Angels (Four Tet Remix) 02. Braids - Sweet World 03. Gruve Collective - Try Harder 04. Radiohead - Daydreaming 05. Sean Savage - The Marquee Mile 06. Phaeleh - The Cold In You 07. Soma Sonic - Simplicity 08. Emancipator - Siren (Tor Remix) 09. Astrocolor - Tokyo Metro (Righteous Rainbows of Togetherness Remix) 10. Sasha - Shelter (Christian Loffler Remix) 11. Massive Attack - Spying Glass

Indigenous in Music with Larry K and Adrian Thomas of One Way Sky (Alternative Rock) Your tuned into Indigenous in Music with Larry K, Today we're excited to be the first to drop the new single from the Indigenour Rock band, One Way Sky entitled "Oblivian"and we welcome back lead singer Adrian D. Thomas into the spotlight, born on the homelands of the Gila River Indian Community. Now signed with IndieGroove Records. One way are featured in our Indigenous in Music Directory, find out all about them right here https://www.indigenousinmusicandarts.org/artist-directory/one-way-sky Enjoy music from One Way Sky, Novalima, Dustin Harder, Jota Quest, Mike Paul, Maten, Black Bear, Sinuupa, The City Lines, Blue Mountain Tribe, Shawn Michael Perry, The Johnnys, Donita Large, Jarrid Lee, Bobbi-Jo Starr, Raven Reid, Amanda Rheaume, CHANCES, Samantha Crain, Cacuts Rose NYC, Litefoot, Q052, Angela Amarualik, Carlos Santana, The Isley Brothers, Joy Harjo, Thea Hopkins, Chantil Dukart, W.T. Goodspirit and much much more. Visit us at www.indigenousinmusicandarts.org to explore our programs, celebrate culture, and connect with powerful voices shaping our communities. Step inside our new Indigenous in Music Directory and meet the incredible Artists and Entrepreneurs who are making an impact today in the music industry.

Everybody talks about the super El Nino. World recognized El Nino expert Michael Mcphaden with the known - and known unknowns - of this historic weather changer. What will this winter bring? Atmospheric scientist Judah Cohen warns winter cold snaps are not banished by warming. Trouble can still arrive from the stratosphere, linked to Arctic snow and ice.

This week you'll hear Grandpa Jones complain about inflation in 1953, the original Sonny Boy Williamson sing the original Good Morning Little Schoolgirl, evangelist Rev. Utah Smith gives us a taste of rousing Sunday worship and Lance Anderson pays homage to Otis Spann.

Can someone explain to me why a documentary movie turned Israel upside down and made Netanyahu scream? Is telling the truth really that dangerous, or is it simply something powerful people fear? So now, we open with a question that has echoed across continents, across newsrooms, across the hearts of people who still believe in the right to speak freely. Because what happened with the film NAZA is not just a controversy. It is a warning. A flare shot into the sky, revealing how fragile truth becomes when it threatens the foundations of a state built on narrative, control, and silence. A film, a piece of art, a testimony, a mirror, shook Israel so violently that its prime minister demanded the filmmakers be stripped of their citizenship. Think about that. Not fined. Not criticized. Not debated. Stripped of citizenship. Erased from the national body for daring to show what Palestinians have been trying to tell the world for generations. And so we ask again: Is truth really that dangerous? Because if a documentary can destabilize a government’s confidence, what does that say about the government? If a film can expose cracks in the official story, what does that say about the story? If two filmmakers, Yuval Abraham and Rachel Shore, can shake the political establishment simply by documenting reality, what does that say about the reality itself? This moment did not emerge from nowhere. It sits inside a global pattern, one we’ve been watching unfold for years. A pattern where governments claim to defend freedom of speech while punishing anyone who uses it. A pattern where artists, journalists, and ordinary citizens are chased across borders for speaking truths their leaders cannot tolerate. A pattern where the right to speak becomes a privilege granted only to those who repeat the approved script. We’ve seen people arrested in countries they don’t even live in, simply because they spoke openly somewhere else. We’ve seen activists forced to hide in China, Turkey, or pockets of Europe just to breathe without fear. We’ve seen governments collaborate across borders to silence voices that refuse to bow. And we’ve seen it here in America too. We’ve watched our own president lash out at reporters, mock journalists, and treat the press as an enemy rather than a pillar of democracy. We’ve watched truth become a battlefield, not a shared foundation. So when Carter Sherman of the Guardian’s Stateside podcast sat down with the filmmakers of NAZA, she didn’t just conduct an interview. She opened a door. She illuminated a moment that reveals the global stakes of free speech. She showed us what happens when artists refuse to be intimidated, when witnesses refuse to be silenced, when truth refuses to die quietly. Abraham and Shore did not create propaganda. They created testimony. They captured what Palestinians endure, not through slogans, not through speeches, but through lived reality. And for that, they were labeled a threat to national security. For me, and for many people like me, they are heroes. For many Israelis, they are traitors. For Palestinians, they are proof. Proof that the world is finally beginning to see what has been hidden behind walls, checkpoints, and official statements. This film did not shake Israel because it lied. It shook Israel because it told the truth. A truth that has been buried, denied, distorted, and weaponized for decades. A truth that refuses to stay quiet any longer. Today, we bring that truth into this space. We bring the courage of those filmmakers. We bring the clarity of Carter Sherman’s interview. We bring the voices that governments try to erase. And we ask you to listen, not passively, not casually, but with the full weight of your conscience. Because when a film can make a prime minister scream, it means the truth inside it is powerful. And when truth becomes powerful, it becomes unstoppable. And today, we begin that conversation. If you have thoughts, I want to hear them. Email me at TWIPpodcasts@gmail.com and tell me how you see it. This is This Week in Palestine.

Can someone explain to me why a documentary movie turned Israel upside down and made Netanyahu scream? Is telling the truth really that dangerous, or is it simply something powerful people fear? So now, we open with a question that has echoed across continents, across newsrooms, across the hearts of people who still believe in the right to speak freely. Because what happened with the film NAZA is not just a controversy. It is a warning. A flare shot into the sky, revealing how fragile truth becomes when it threatens the foundations of a state built on narrative, control, and silence. A film, a piece of art, a testimony, a mirror, shook Israel so violently that its prime minister demanded the filmmakers be stripped of their citizenship. Think about that. Not fined. Not criticized. Not debated. Stripped of citizenship. Erased from the national body for daring to show what Palestinians have been trying to tell the world for generations. And so we ask again: Is truth really that dangerous? Because if a documentary can destabilize a government’s confidence, what does that say about the government? If a film can expose cracks in the official story, what does that say about the story? If two filmmakers, Yuval Abraham and Rachel Shore, can shake the political establishment simply by documenting reality, what does that say about the reality itself? This moment did not emerge from nowhere. It sits inside a global pattern, one we’ve been watching unfold for years. A pattern where governments claim to defend freedom of speech while punishing anyone who uses it. A pattern where artists, journalists, and ordinary citizens are chased across borders for speaking truths their leaders cannot tolerate. A pattern where the right to speak becomes a privilege granted only to those who repeat the approved script. We’ve seen people arrested in countries they don’t even live in, simply because they spoke openly somewhere else. We’ve seen activists forced to hide in China, Turkey, or pockets of Europe just to breathe without fear. We’ve seen governments collaborate across borders to silence voices that refuse to bow. And we’ve seen it here in America too. We’ve watched our own president lash out at reporters, mock journalists, and treat the press as an enemy rather than a pillar of democracy. We’ve watched truth become a battlefield, not a shared foundation. So when Carter Sherman of the Guardian’s Stateside podcast sat down with the filmmakers of NAZA, she didn’t just conduct an interview. She opened a door. She illuminated a moment that reveals the global stakes of free speech. She showed us what happens when artists refuse to be intimidated, when witnesses refuse to be silenced, when truth refuses to die quietly. Abraham and Shore did not create propaganda. They created testimony. They captured what Palestinians endure, not through slogans, not through speeches, but through lived reality. And for that, they were labeled a threat to national security. For me, and for many people like me, they are heroes. For many Israelis, they are traitors. For Palestinians, they are proof. Proof that the world is finally beginning to see what has been hidden behind walls, checkpoints, and official statements. This film did not shake Israel because it lied. It shook Israel because it told the truth. A truth that has been buried, denied, distorted, and weaponized for decades. A truth that refuses to stay quiet any longer. Today, we bring that truth into this space. We bring the courage of those filmmakers. We bring the clarity of Carter Sherman’s interview. We bring the voices that governments try to erase. And we ask you to listen, not passively, not casually, but with the full weight of your conscience. Because when a film can make a prime minister scream, it means the truth inside it is powerful. And when truth becomes powerful, it becomes unstoppable. And today, we begin that conversation. If you have thoughts, I want to hear them. Email me at TWIPpodcasts@gmail.com and tell me how you see it. This is This Week in Palestine.

Voters in California’s 7th Congressional District have a unique race. It features two Democrats – incumbent 10-term establishment Representative Doris Matsui and progressive Sacramento City Councilmember Mai Vang. Not surprisingly, even though the race has two Democrats, the mudslinging is hot and heavy.

Just a quaint themed music mix for the seasons as heard on The Global Voice internet radio.

https://politicsthisweek.gn.apc.org/2026/10/the-bristol-politics-show-presented-by-tony-gosling-42/

What will it take to turn Israel’s growing isolation into real accountability? Human rights lawyer and former UN official Craig Mokhiber joins hosts Nora Barrows-Friedman and Ali Abunimah to discuss the gap between diplomatic condemnation and action, as well as the “Board of Peace” plans for Gaza On the Resistance Report, the Electronic Intifada’s contributing editor Jon Elmer examines the latest accounting of US military losses of aircraft, equipment and personnel to Iranian operations against US airbases across the Middle East. In Lebanon, Israeli occupation forces have continued to accelerate their attacks and widespread destruction across the south. Electronic Intifada contributor Roqayah Chamseddine reports from Lebanon.

It’s the Sonic Café … Featuring an intelligent mix of headphone friendly music, comedy and pop culture … I’m your host Scott Clark. Hey, welcome to episode 36. This time we pull our eclectic mix directly from the briny blue pacific. Listen as we cover 45 years of nautically themed tunes from The Peddlers, Led Zepplin, Tom Waits the Split Enz and more... And later on listen as comedian Jim Gaffigan imagines the inner voices of whales in a bit pulled from his Mr. Universe release. All that and more as we splash tunes from the big blue coast all over your radio … right here at the Sonic Café.

Those of us who use the internet are subject to the words and wisdom, or lack thereof, provided by the people and or machines that upload ideas and content. The democratization of the internet, allowing anyone to post anything is, in the mind of Andrew Keen, our guest of this edition of Radio Curious, creating a “cut-and-paste” on-line culture which threatens copyright protection and intellectual property rights at the expense of those who create original work. Andrew Keen is the author of “The Cult Of The Amateur: How Today’s Internet is Killing Our Culture.” When I spoke with him from his home in Berkeley, in early June 2007 we began with his explanation of the democratization of the internet. The song, film and book recommended by Andrew Keen are the U2 song “Vertigo,” the movie “Vertigo,” by Alfred Hitchcock, and the book “Vertigo,” by W.G. Sebald.

A weekly 30 minute review of international news and opinion, recorded from a shortwave radio and the internet. With times, frequencies, and websites for listening at home. 3 files- Highest quality broadcast, regular broadcast, and slow-modem streaming. Germany, Japan, Cuba.